SHARING ART
Sharing my art has never been just about visibility or recognition, it’s about empowering others to embrace their creativity, imagination - to see life as art.
I present my art in unconventional spaces, without the pretence of gallery walls. It deepens my understanding of people and shows me that when art is made available beyond gatekeepers, it intives us all to be ourselves, to feel and be free.
A LEGACY OF CREATION
Art Needs to Be Witnessed to Fulfill Its Purpose.
“If art isn’t witnessed, it’s incomplete - Abandoned.”
It might begin in the mind of the artist with emotion, sensitivity, and a personal connection, but the process of creating is only half the story. It takes years of discipline to build the skills needed to translate what you feel into something others can see: the control of the medium, the understanding of composition, the patience to bring imagination into form. That alone is a powerful act. But if it stays hidden, its reach stops at the artist.
Without a viewer, the work doesn’t get to breathe beyond its origin. It doesn’t get to be reinterpreted, felt, or finished by another person’s imagination. Art is often left intentionally open—unfinished in a sense—so that those who witness it can complete it through their own emotional and perceptual filters. And when it isn’t shared, it’s more than just unseen—it begins to carry the feeling of being abandoned. That’s something I’ve felt deeply. The energy, meaning, and memory embedded in the piece remain trapped, unable to reach the person it was unknowingly meant for. Its life stays suspended. Its story unheard. Its purpose unmet. For me, the real transformation happens when the work is shared. That’s when the piece comes alive in a new way—through someone else’s eyes. I’ve always felt that most artwork is left intentionally unfinished, not in a literal sense, but emotionally. The viewer completes it. Their perspective, imagination, and emotion fill in the spaces I leave open. It reminds me of how children create without fear. They don’t worry how it’ll be seen—they just respond to what they feel inside. That purity is something I’ve carried into my own process. But as we grow, our awareness of others becomes part of the work. And that awareness can be powerful. When someone views a piece and it connects—whether through beauty, discomfort, memory, or emotion—it sparks something. They don’t just look at the art; they experience it. That moment of witnessing allows the piece to exist beyond me. It becomes something new in each person’s mind. And in return, I grow. I begin to see the work differently. What it means shifts, expands. It serves both of us. That’s the cycle. Without it, the work remains closed. Sharing art isn’t just about visibility. It’s about allowing space for connection. It’s about giving others permission to feel, reflect, imagine—and maybe even begin their own creative process. That’s the purpose. That’s the fulfilment.
NOT SHARING CAN LEAD TO FREEDOM
Not Sharing - The Invisible World of a Secret Artist.
“They Get to Express Themselves to Themselves.”
If art isn’t shared, does it still matter? Absolutely. When it stays private, it still holds power—just a different kind of power. It becomes a personal source of healing, a way to bring meaning and purpose to your life. Sometimes it’s a veil to hide behind, but other times it’s simply the reason you exist. Art gives you the chance to find yourself, to see the world through your own lens, and to process the things that are too complex or painful to explain in words.
That journey, the private one, is sacred. Every mistake you make in that space is actually a victory—because you’re breaking spells that society quietly placed on you. You’re stepping outside the invisible frameworks that tell us how to behave, how to measure success, how to fit in. The world doesn’t encourage risk. It fears failure. But in the secret life of an artist, failure is part of the magic. You begin to explore reality in ways that aren’t logical, but feel true. You start to observe the observer—you watch how you process pain, joy, confusion. You begin to learn not just about the world, but about yourself. Being an artist means understanding the mind as a tool—not as reality itself. The mind is a decoder. It takes in information and interprets it, but it doesn’t define truth. That’s where the heart comes in. That’s where consciousness speaks. So when an artist creates something only for themselves, it’s not wasted. It’s a complete expression—from the heart, through the mind, into form. And that’s enough. That’s a life’s purpose fulfilled without applause, without permission, without anyone even seeing. This part matters. They get to express themselves to themselves. And in that act, they connect to something that doesn't exist outside, but exists fully within. Something real. Something alive. The truth is, there are artists all over the world right now—in bedrooms, in basements, in quiet corners—who are creating things no one may ever see. Not because they don’t want to be seen, but because the act of creating is complete without an audience. And I love them for that. I see them. I salute them. They are my family. They are artists in the truest sense—born this way, carrying the weight and the wonder of what it means to feel everything deeply and still choose to make something out of it. Society doesn’t really celebrate these people. It doesn’t accommodate them or know what to do with their individuality. So we created the art world—galleries, exhibitions, white walls and price tags—as a way to be seen. But most of that is designed by people who don’t create. It’s a system. And it often misses the soul of what art really is. The invisible artist is often lonely, sometimes depressed, abandoned even. But maybe that’s the path to true awareness. Maybe you’re hidden for a reason—so you can listen to something deeper, something sacred. And when you finally create from that silence, that space, you’re not just making art. You’re becoming it.
REDEFINING THE EXPERIENCE AS PURE
Sharing Art Helps the Artist and Viewer Overcome Self-Doubt.
“The art, artist and viewer is all thats needed .”
I know sharing art helps the artist and the viewer overcome self-doubt. And why is that? Because when a human meets a human, and the human shows their expression and their form of creativity, then all we can do is just have an informal, natural, and energetic exchange. A conversation, perhaps. Or just acknowledgement. Or just curiosity. It can spark something completely new. It allows permission. It gives the artist a complete opportunity to just be who they are in the physical world. Without the art world that has educated both the viewer and the artist to believe that there needs to be some form of formal information, or educational description, or some sort of way of behaving, believing, some kind of structure, framework, a way to do things.
I think the art world, whatever that is or whoever has formed it, is an invisible power. An invisible concept designed to separate the artist from the viewer. And when an artist is in front of their art, that is access. That is opening up to a human being, to be present in front of them, and be open to anything that they perceive, relating to the artist or the art. And I believe that’s incredibly courageous. I salute all artists for doing that. It takes a lot of effort and commitment, but also heart to do it. But what they’re doing is opening up a gateway to direct connection. Beyond the concept of art and the art world. Where all the gatekeepers are removed. All the concepts and all the thoughts and insecurities and feelings about what this is disappear. And it just simply gives both the viewer and the artist an opportunity to just be. Two humans in a space, looking at creativity, and freely expressing their intuition, their personalities, their individualities, their taste, and their ideas with each other. Therefore setting art free. And setting themselves free. So sharing art really does help the artist and the viewer overcome doubt. And the doubt has been created by this conceptual, educated, formal, created idea of art, which has been indoctrinated into mainstream society. It’s been educated to people. It’s been almost gentrified and positioned in a place that only a certain type of individual, with a certain type of intellect and resources and capacity and possibly lineage, can access this world of creativity and meaning and love and feeling. Well, in all honesty, the artists who create the work are not from that world. So there’s been an opportunity for those who commoditise creativity to also create a gap between the artist and the viewer. Velvet rope. Big white room. Very detailed complex descriptions. Overhyped creativity. And unfortunately, this has disempowered even them. Because by doing it this way, you’re removing the true essence of all the power of art and how it can completely transform people. To have agency. To be independent. To feel something. To feel real. To feel like they are. That they can actually imagine and change something in their own lives, in their own spirit. It’s kind of just saying: well no, we are the creators and you are just the participants, the followers, the worshippers. You don’t have the power to create anything. So stay where you are and we’ll show you how it’s done. But that’s the Wizard of Oz. That’s the emperor with no clothes. It’s all an illusion created to serve certain interests and ideologies. But anyway, without going too deep into all of that stuff, all I’m saying is, when an artist creates art, and if there is an option in their mind that they can share it with a human being, that will also set the creative process for the artist free. And change the world in that moment. And then every moment after that.
WHEN THEY FEEL IT - THEY WILL STEP INTO IT
Sharing Art Can Bridge the Gap Between Internal Expression & External Recognition.
“The viewer becomes the artist when guided .”
Art is only one dimension until it’s shared. When someone sees the work, they bring their own experiences, memories, awareness, and energy into it. The way people interpret something is completely unique. If they feel comfortable enough to share what they see and feel, they can offer the artist a new perspective on the work. That’s where the magic happens. The viewer becomes part of the creative process. In that moment, they become the artist too. The environment plays a big role. When people feel safe, relaxed, and free from judgment, they start to engage differently. They don’t just look at the artwork. They feel it. They step into it. They begin to recognise something in the piece that feels familiar. As soon as that happens, they start to build their own ideas into the work.
It shifts. It’s no longer just the artist’s expression. It becomes something shared. Something alive. The original piece starts to hold different meanings all at once. This exchange creates a dialogue. The questions that are embedded in the work are met with new answers. Or sometimes better questions. That’s what keeps the art evolving. Each person brings something new to it. Each conversation reveals another layer. These ideas and visions aren’t random. They come through me, but they aren’t only mine. They come from something higher. A spiritual source. A deeper field of consciousness. I just record them. I try to shape them in a way that allows other people to step in and find their own reflection. Art is a mirror. It reflects not just what I see, but what the viewer brings too. It creates a conversation. Not always in words, but in feeling, in imagination, in connection. And through that, people often discover something true about themselves. In that space, art becomes more than just something to look at. It becomes a way to connect. A way to express something real. A way to find something you might not have had the words for before. That’s what I hope to open up. A space where people can find something meaningful and honest. Where both the artist and the viewer are changed by what they see.
SHOW UP AS YOU - THEY WILL RESPOND AS THEM
Sharing art Helps Develop Communication Skills for an Artist.
“It’s the abandoned art that is now open to interpretation.”
Well it’s so simple. When you find the confidence or the desire or the need through desperation through love through security or insecurity or whatever the reason may be for you to convey and express something that you have created, you have already done a lot of self communication in that process. The thoughts that we communicate in our mind help us create these ideas and translate them into two dimensional artworks that have three dimensional to five dimensional environments. Once another human being can see it, artists have done so much that does not get translated or expressed or communicated even to themselves. They aren’t aware of the genius it takes to even imagine it, then have the technical ability to create it, and then have the incredible humility and love to share it and communicate it. So I sense that exposure, when it comes to being in front of people and showing your art and your creativity, is incredibly valuable, because it’s the end part of your creation. It’s the abandoned art that is now open to interpretation.
The task of sharing art for an artist who is new can be overwhelming, consuming, and challenging, because they may not have the internal self confidence to be in front of people. But they have to remember that they are superheroes. They have superpowers, and they are giving the world and people an opportunity to completely transform their realities regardless of the size of the gallery or the experience or the location or how hot it is or how polished it is or how broken down it is or how raw it is. It doesn’t make a difference. It’s still humans connected to humans. And the more you’re able to do that and you’re able to look at another human in the eye and be honest and authentic and vulnerable, that human has permission to do the same in response. And before you know it, all of the concepts and ideas of social structures and your own insecurities just disappear, and something magical appears the real you, the absolute you, the true you, the child you. It’s incredible how for me, my personal journey, I was really challenged to communicate. I could not express clearly. I wasn’t fluent in my descriptions of my art. I wasn’t able to articulate them even though they were incredibly complex ideas and really well thought out. Sometimes I took two years just to think about the idea and then a month to create the art, but it was impossible to communicate. I should have felt insecure for the way I looked, the way I showed up. I didn’t really have a lot of money in the early days. My clothes were chaep and funky, I was sleeping in cars most of the time, and I was struggling. I was really struggling. But I showed up. I showed up because I fundamentally knew that if I showed up, the work could only respond to who I am and how I am. And miracles happened every time because people who turned up at these events or wherever I was, they also showed up as themselves. And when two individuals or a group of individuals come together to have an open dialogue and communicate clearly, it completely transcends any doubt or fear or any expectation of saying things a certain way or explaining things a certain way or being a certain way. Because most people can communicate energetically and they can sense your energy. And for me, even though I looked a bit messy in the early days, I didn’t care. I knew I needed to show them my mess. I needed to show them my struggle, my fight how I’d been homeless early on in my career and still showed up at major art exhibitions in London wearing five pound suits and three pound shoes from a secondhand shop. It didn’t make a difference. They had to see me. I had something in me, some intuitive knowing that this is just a journey and a learning experience. There are no outcomes. Life is not a monopoly board. But what you can do is look from the observer and see this guy’s journey, be in the room, just show up. Let them look at you. Let them judge you. Let them do whatever they want. But you can completely neutralise the experience by just saying, look, I care about you. I’ve created some work. I’d love to inspire you. Let’s go. So I think and believe that exposure, just being present in the world, is vital. Artists are often secluded and isolated and may not have great social skills, but you have to do it. Because the world is about people. It’s about exchange, community, bonding, and developing together. Energetic fields that can raise consciousness and creativity. You have to show up, look up, and be ready for everything to happen. And the secret is never to care about what’s actually going to happen. Because the magic and the mystery and the invisible communication happens when there is no talk, no expression. In fact, it’s pure, unseen. And that’s when you truly capture something in the moment that will inspire you. And you go on to the next. And then the next. And the next. It’s magical.
ART AS THE SEED - COMMUNITY AS THE EARTH
Building Community Around Art is Essential for Growth.
“You are the seed and Community is the environment.”
What is community from your perspective? Is it the family? Is it a friend? Is it people in your locality? Is it the community of creatives? Is it people you already know who fundamentally share the same interests and passions that you have? Or is it a community that needs service, needs help, needs expression, and could do with a little bit of creativity?
From my perspective, I always sensed community as something that is deeply rooted in your self-expression. I always thought that you are your own community. You create the language of the community, you create the atmosphere, the nuance, the way it looks, feels — it is all from your idea. It stems from the seed. So the seed that you create or develop on Earth has to be planted in society. And then society, like the seed, its growth is determined by the environment.
It could grow and be inspired, or it could be subjected to inertia. It may not resonate or connect or relate to, complement, or even correlate with its natural surroundings — which is community. And the community could be sensibilities — where people see things, feel things, hear things — the way they’ve chosen to behave, the way they’ve created a framework. Are they independent? Are they free? Are they conforming? Are they following orders? Are they creating orders? Or are they abandoning orders? Whatever it is, you have to be conscious of your seed, and what you are developing and creating. If it’s coming from an authentic perspective, a place that is internal, inside, and you’ve just decided that you are expressing creativity from within — obviously experiencing what's outside too — but really, internally, you already know the answers. All of the creativity is already fundamentally inside. All you're doing is expressing it outwardly. Then you know your community will be whomever is awake and conscious and can see that too — or potentially is on the verge of opening up their curiosity a little bit more. It’s very interesting for artists too. We are always kind of encouraged to find our tribe, our community, and yet they don’t exist. Because if we were to create formulated art, then surely we would be able to find a community, like a business outreach program. Something that way, where we have a demographic of humans that we’ve created artwork for. And some artists do that. They create art based on popular culture, on musicians, on sportsmen — things that people can connect and relate to, which is fair enough, it’s fine. But again, it’s like catering to a community that already exists. From my perspective, I don’t cater for a community that exists. I don’t really care too much about that. My focus is to create art that touches people’s minds, souls, and spirits — and makes them see, feel, and go beyond. Go beyond their community, go beyond their everyday lives, go beyond what they always see and feel and touch. To give them more of a spiritual experience, where they can see that community is the world. Community is in nature. Community is in creativity. Community is in people. Community is in those people you may never see and never ever know. Community is in the way you behave. It’s in your principles and your values. It’s in the way you’ve created your own form of tradition, your own form of culture. So community for me is a seed that every human being has access to forming and nurturing and putting into the world. And then, however the world responds to it — however it receives it — is the experience of community. So I do sense, from my perspective, I just made certain decisions based on intuition and knowing that I’m a South Asian person, born into a Hindu family, living in the UK. Both people are different — the two cultures I’m experiencing. Which one do I share my work with? Which one do I choose to express? Do I go into my rich experiences of Indian culture, which was immersed in colour, music, people, sounds, spirituality, amazing food — so much fun and just a completely vibrant creative experience? And then the flipside — you have my experiences of British culture, which is a little more relaxed, a bit more subdued, a little more refined, a little more sophisticated. Also crazy, but in a different way. For me, I just thought — well, I have access to both of these experiences. So surely I am the experience for them. They are not the experience for me. I’ve got to somehow find agency and utility in who I am. And really hold onto understanding my personality and my essence. Do I feel connected to a spiritual being, entity or energy? Or what is that? Do I have any grounded connections to something beyond me? Can I sense people? Can I become aware of people? Can I put myself in situations where I can learn about people, about society, about communication — about just how millions of ideas can be in one room, even with just two people in that room? Am I able to access that and be open to that — be curious about it? For me, that was truly me creating myself, organising or arranging or developing myself to be in community. So yes, community. I’ve been very fortunate to have incredible people, no matter where I go. When I show up, a community is formed. There’s no doubt in my life — over the last ten or fifteen years of exhibiting, it’s just been a TV show, it’s been a movie. The interactions and the communications and the fun and the tears and the hugs and everything I’ve experienced through just being present with these people has been community. And I can never express it through words. I just don’t have the words to truly convey how important that aspect is. When community really loves you, they will help you, support you, push you — but not just so you can make more money. Not just so you can be more of an artist. Not because you can have more fans and followers. It’s simply because you’re touching the lives of people, and they are responding. And it’s incredible. In the world of art, of artists, of viewers — we’re all in one community. And for me, that truly inspires me every day.
ARTIST'S LEADING A COMMUNIAL ECO SYSTEM
Sharing Art Open's Doors to Monetisation and Sustainability.
“Society has a responsibility to nurture art, artist's must inspire them.”
From my perspective, without visibility, people cannot own, consume, discover, or invest in art. The thing with art is that not everyone wants to buy it or own it. Some people see it as a form of information, something they can use in their lives, perhaps as a conversation starter or something that doesn’t resonate deeply with them. But then, there are others who truly understand the value of art and recognise the consciousness behind it—how they want to evolve and how artists themselves play a vital role in society.
These are the people who hold a broader understanding of life. They don’t see artists as disposable or indulgent. They see them as necessary. Without people like this, artists like me cannot thrive. The opportunity to make a living and continue this creative journey comes from them. When I share my work, I’m not just putting a picture out into the world. I’m offering something to invest in. And it’s not just about decoration or owning a piece. It’s about connecting to something deeper. I’ve never believed that art is only for the elite or the intellectual. It’s for everyone. It’s about building a relationship with the audience. That’s what sharing does. It creates space for impact. Whether someone buys my work, experiences it in their home, or simply sees something in it that shifts their perception, that exchange matters. Because real art has the power to wake something up in people. But only those who are willing to go deeper will truly appreciate it. That’s where sustainability comes in for me. It’s not about just selling a piece to get by. It’s about facilitating real connection through the work. I believe society has a responsibility to support art. Those who can afford to invest in it need to understand that they’re not just supporting an individual artist. They’re contributing to a broader cultural conversation. Art is more than an object. It’s a way of living. It brings meaning into the mundane. And when people begin to value that, it allows artists like me to carry on without constantly battling for survival. I feel society has a responsibility to nurture art, to create environments and atmospheres that offer everyone the opportunity to feel creative. Not just in the early years of life, but throughout. It’s about allowing people to keep taking risks, to keep making and playing, to live on the fringes without always having to conform. To be like children again, exploring ideas without limitations. And artists have a responsibility too. We have to show leadership. We have to own our role in society. We have to be diligent and aware of how the world works, how money flows, how systems operate. We have to be literate in the language of money. We cannot hide ourselves away and accept invisibility or lack of compensation. Why is an artist’s time considered less valuable than someone who works in education or business or any other sector that’s deemed important or inspirational? Artists need to become leaders, to value themselves at that same level as top proffessionals. We have the right to earn like the top players, to live well, to create freely, to build ecosystems that support not just ourselves but the next generation of artists. Artists must become more innovative and focused on communication, on presenting their work in ways that intersect with the corporate world and the world of finance. And once inside those spaces, we can shift them. We can influence them. We can give others the opportunity to truly understand the value of art and what it brings to society. Money and art have long had a misunderstood relationship. In some cases, art is used in shady ways to store or move money, often hidden from public understanding. But at its core, art should be experienced, wanted, shared and, yes, compensated. When artists are fairly compensated, they feel connected to society. When they’re not, they feel excluded. The art world as it exists today—with its publications, publishers, galleries—often reinforces that separation. Let’s not do that. Let’s build something more communal. Let’s create real connection. The truth is, money should not be the reason people make or buy art. It should be the byproduct of the experience.
A COLLECTIVE EXPERIENCE
Sharing art teaches you to adapt and evolve in a competitive landscape.
“Maybe this isn’t art. Maybe I’m not good enough.”
In the early days of my art journey, I was focused on impressing people. I thought that the more I could show off my technique, the more people would see me as a serious artist. I was driven by insecurity, hoping for validation from others. My early works were all about showing my competence. But when I look back now, I realise that what I was truly looking for was reassurance that I belonged in the art world. I didn’t feel that I had the support or the traditional route that many artists have, and so I sought approval through my work.
When I first started sharing my art, I felt exposed. I thought, “Maybe this isn’t art. Maybe I’m not good enough.” It was daunting to put my creations into the world, especially in places where art wasn’t expected—laundrettes, businesses, care homes, and other public spaces. These weren’t the glamorous, high-profile art galleries where most people expect to see new works. But the reactions I received were unlike anything I could have imagined. People engaged with my work, not because it was flashy or polished, but because it resonated with them on a deeper level. It wasn’t about the quality of the brushstrokes or technique; it was about the impact of the art. That realisation changed everything for me. I understood that art wasn’t just about impressing others—it was about making an emotional connection. This led me to adapt and evolve my approach. I realised that I didn’t need to fit into a particular mould or seek approval from critics or galleries. What I needed to do was make art that spoke to people—art that made them feel something. The true value of art is not just in how it looks, but in how it connects to the viewer. Through sharing my art, I have come to appreciate the importance of evolving, not just as an artist, but as a human being. Art is an ongoing dialogue between the creator and the observer. The feedback, the interactions, and the impact of the work allow me to grow, adjust, and refine my vision. I no longer focus on impressing people, but on inspiring them and creating work that resonates with their lives.
A STORY IS WRITTEN BY THE AUDIANCE
Sharing art helps you to discover your story more deeply.
“Feedback serves as a valuable tool for discovering what resonates.”
For me, creating art has always been an act of deep self-reflection. It's a process that allows me to explore, express, and understand emotions that often elude words. Each brushstroke or digital manipulation feels like a conversation with myself, a way of digging into the parts of my psyche that I don’t always have access to consciously. Art becomes a mirror, not just reflecting the external world, but offering a glimpse into my inner life—my thoughts, feelings, and experiences.
Sharing art, however, opens up a new dimension to this self-exploration. It’s no longer just about the personal journey of creation, but about how the art resonates with others. When I put a piece out into the world, I invite others to see something of themselves in it. People engage with it in ways I may not have anticipated, reflecting back insights, interpretations, and emotional reactions that deepen my understanding of the work and, by extension, myself. One of the most profound lessons I’ve learned from sharing my art is the way it reveals things about my own story that I hadn’t fully realised before. For example, when I see how people react to specific works, I begin to understand the themes and patterns that emerge in my own creative process. I might not have consciously known that certain experiences from my life were influencing my art, but when I see those experiences reflected in the reactions of others, I realise just how deeply they’ve shaped my perspective. It's like having a conversation with my past, with my struggles, my triumphs, and everything in between. Art is a process of unearthing the layers of the self, and sharing it is like holding up a mirror to the world. It reveals things about me that I might have otherwise missed. The themes I return to in my work—whether it’s the search for meaning, emotional connection, or spiritual awakening—become more apparent as I continue to engage with an audience. Through the feedback, the conversations, and even the moments of silence, I begin to see patterns in my own life, themes that I may have taken for granted. But it’s not just about uncovering past experiences. Sharing my art also helps me chart my personal evolution. As I create and share, I become more aware of my growth as both an artist and an individual. I see how my approach to art has evolved, how my understanding of the world has deepened, and how my life experiences have influenced my creative vision. This evolution isn’t linear; it’s messy, chaotic, and full of moments of doubt and clarity alike. But through sharing my art, I can trace the contours of my own story, seeing how each piece fits into a larger narrative of change and transformation. The feedback I receive also serves as a valuable tool for discovering what resonates most deeply with others. It helps me see my art not just from my own perspective, but from the perspective of the people I’m creating for. These reactions often help me pinpoint aspects of my own journey that I may not have fully explored yet. In this way, sharing art becomes a dialogue—not just between the artist and the art, but between the artist and the audience. It becomes a collective journey, where my story and the stories of others intertwine and shape one another. Ultimately, sharing my art is a way of engaging in a larger conversation, one that transcends individual experiences and connects us to a collective narrative. It’s through this sharing that I can discover deeper layers of meaning within my own story—realising how my work is both a reflection of where I’ve been and a guide for where I’m going. Art, in this sense, is not just a personal expression; it’s a living, breathing entity that evolves alongside me, always teaching me more about who I am and how I relate to the world around me.
ART IS HOW WE LIVE OUR LIVES
Sharing Art Empower Others to Explore Their Own Creativity.
“Art has this incredible ability to awaken dormant creativity in others.”
Sharing my art has always been about more than just showcasing my work—it’s about igniting a spark in others. When I put my art out into the world, I’m not just offering something to be looked at; I’m offering an experience, a reflection, a moment that invites others to explore their own emotions, thoughts, and ideas. It’s a way of saying, “Look, this is possible. You can do this too.
When people engage with my work, it often unlocks something within them. I’ve had countless conversations where viewers have shared their own stories, their desires to create, or the dreams they had long buried because life got in the way. There’s something about seeing someone fully express themselves through art that gives others permission to do the same. It’s as if the act of sharing my creativity gives them the confidence to explore their own. What I’ve come to realise is that people aren’t lacking creativity—they’re lacking the permission to express it. Society conditions us to prioritise practicality over passion, to follow a linear path where creativity is often sidelined or dismissed as a luxury. But when they see someone who has broken free from those constraints, someone who has taken risks and followed their intuition, it plants a seed. It shows them that there’s another way—a way to honour their own imagination and curiosity. Sharing art also breaks down the barriers that make creativity feel exclusive or unattainable. I didn’t come from an artistic lineage, I wasn’t formally trained, and I didn’t have a support system that nurtured my talents. I had to carve out my own path, experimenting, failing, and learning along the way. And when I share that journey, it resonates with others who may have felt that the creative world was out of reach for them. It’s a reminder that creativity isn’t reserved for a select few—it’s within everyone, waiting to be tapped into. Art has this incredible ability to awaken dormant creativity in others. It opens doors to new perspectives and helps people reconnect with their imagination, often reminding them of the creativity they had as children but lost touch with over time. I’ve seen people come alive when they engage with art—whether it’s through conversation, observation, or participation. It’s as if art gives them permission to be playful, curious, and expressive again. When I share my art, I’m not just offering a visual experience—I’m offering a gateway for others to explore their own potential. I want people to feel that same sense of liberation that I felt when I embraced my creativity. I want them to know that their ideas matter, that their perspectives are valuable, and that they have the power to express themselves in ways that can change their own lives and the lives of others. The most rewarding part of sharing my work is witnessing the ripple effect it creates. I’ve seen how my art has inspired others to pick up a brush, write a story, compose a song, or simply view the world differently. It empowers people to trust their intuition, to take creative risks, and to explore the boundless potential within themselves. And that, for me, is the greatest gift of all—knowing that my work has not only expressed my own truth but has also helped others uncover theirs.
LEGACY IS A BYPRODUCT OF SERVICE
Art, Once Shared, Begin to Build Legacy and Influence.
“It’s not about being celebrated - it’s about the energy, the truth.”
For me, creating art was never about chasing recognition, trends, or validation. I wasn’t concerned with perception or societal constructs, I was too focused on understanding myself and exploring the deeper layers of consciousness. I lived a life of isolation, and during that time, I connected deeply with philosophy, spirituality, and creativity. I wasn’t part of the world’s narrative; I wasn’t out socialising, travelling, or building a conventional life. I was immersed in a world of ideas and imagination, honing my creativity without external noise.
Early on, I recognised that society conditions us to follow a certain path—school, work, mortgages, distractions, and a constant cycle of conformity. But I wanted something more. I knew I had to detach from that conceptual reality and focus on the core of my being—my intuition, my consciousness, and my authentic self. This awareness allowed me to see beyond societal frameworks and access a space of raw creativity that was not governed by intellectual conditioning. I wasn’t creating for validation or fame—I was creating because I needed to express what was within me. That’s the essence of legacy. It’s not about being remembered or celebrated—it’s about the energy, the truth, and the message embedded in the art itself. Legacy is woven into the very fabric of the work—through the layers of messaging, the spiritual concepts, the emotional depth, and the authentic journey that shapes the art. Legacy isn’t built through intentional pursuit; it’s a by-product of creating from a space of truth, love, and intuition. When I share my work, I’m not focused on how it’s received or how it influences others. But I trust that, because the art was created with purity and authenticity, it carries an energy that will resonate beyond my lifetime. I may never witness the full extent of its impact, but I know that the ideas, concepts, and feelings embedded in the work will ripple through time. True legacy is not in the artist—it’s in the work that continues to speak to people long after the artist is gone. Art has the power to challenge, inspire, and awaken people to new perspectives. When it’s created with love, courage, and authenticity, it holds the potential to shift the consciousness of those who encounter it. And that’s where influence emerges—through the resonance of the work, not the reputation of the creator. For me, the art becomes a living entity that carries forward the essence of what I’ve poured into it. It becomes a catalyst for others to think, feel, and question their own realities. That’s the true legacy—when art continues to inspire curiosity, provoke thought, and expand awareness beyond the life of the artist. I know that I may never fully grasp the depth of the influence my work might have. But that’s not my concern. My responsibility is simply to create, to express, and to share. What happens after that is beyond my control, but I trust that the work will carry its message where it needs to go. And in doing so, it will leave behind a legacy that speaks not just of me, but of the timeless truths and experiences that have shaped my journey.