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Popular culture, politics, consumerism, and social engineering shape our reality, often in ways we don’t realize. My art gives form to these hidden influences, revealing contradictions, struggles, and beauty—while also highlighting our ability to become consciously aware of the dreamlike world we’re part of.​​​
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I explore the contrast between material reality and the way we perceive it, as
well as how we each find our place between individuality and belonging.
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CULTURE
REALITY & FANTASY
Art is Culture
It is present in everything, from our daily rituals and lifestyles to how we live, dress, speak and identify with the world.
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I see culture as a living, ever evolving expression of human experience shaped by history, geography, technology, and the evolution of ideas.
It influences how societies function and how individuals understand themselves, shaping values, perceptions, and behaviors. It also fosters a sense of belonging, connecting people through shared traditions an also can challenge our beliefs, reshapes perspectives, and drives social change, revealing both unity and division in how we navigate the world.
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CULTURE NEEDS TO BE SEEN
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I believe culture must be seen, explored, and questioned, as it shapes how we interact with one another and make sense of our lives. When brought to light through art, media, traditions, or discourse, it reveals the underlying patterns, biases, and values that shape our experiences. Art can play a crucial role in illuminating culture in all its forms, making information and ideas visible for people who may not be able to discern, access, or understand their world. By showcasing culture, art and artists honor human diversity while uncovering the hidden forces that shape our identities, creating space for reflection, critique, and transformation.
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A REFLECTION OF CULTURE
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Through my art, I aim to highlight both the beauty and the contradictions within our culture, encouraging people to think critically and reflect on how we live. In times of rapid change, I believe it's important to engage with culture actively, shaping it in a way that moves us forward, rather than simply accepting it as it is.
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I explore the nuances of cultural identity, shedding light on perspectives that often go unnoticed. My art challenges assumptions, sparks dialogue, and evokes empathy. Whether through satire, symbolism, or raw emotion, I aim to reveal the underlying currents of society—its struggles, aspirations, and transformations—offering a mirror for deeper understanding.
''True sovereignty lies in understanding fantasy, seeing it not as a destination but as a creation. ''
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Art is Reality
I see reality as something both tangible and illusory, shaped by objective occurrences and subjective filters. We experience the physical world, but we also live within the stories we tell ourselves about it. Our reality is influenced by our upbringing, education, beliefs, emotions, and the cultural frameworks imposed upon us.
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For me, reality is not a single, fixed truth but a layered experience, shifting depending on our perspectives, biases, and levels of awareness. It is as much about what is happening as it is about how we interpret it. This duality fascinates me—how reality can be simultaneously neutral and deeply personal, a simple unfolding of events yet rich with meaning because of the way we assign emotions, fears, hopes, and projections onto it.
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THE EXPERIENCE OF REALITY
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I have spent my life observing and questioning how we experience reality. Our senses provide us with information, but what we perceive is always filtered through the mind—our conditioning, trauma, desires, and memories all play a role in shaping what we believe to be real. This means that two people can witness the same event and interpret it in entirely different ways because their realities are constructed by their unique inner worlds.
I see reality as an ongoing conversation between what is objectively happening and the deeply personal way we frame those experiences. Consciousness itself is a curator, selecting and interpreting information based on past experiences, social conditioning, and unconscious biases. We are not just passively experiencing reality; we are actively creating it, shaping our world through our beliefs, fears, and expectations. In this sense, reality is not a solid, unchangeable thing—it is fluid, influenced by perception, choice, and awareness.
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OBSERVING THE REALITY
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I have spent my life observing and questioning how we experience reality. Our senses provide us with information, but what we perceive is always filtered through the mind—our conditioning, trauma, desires, and memories all play a role in shaping what we believe to be real. This means that two people can witness the same event and interpret it in entirely different ways because their realities are constructed by their unique inner worlds.
I see reality as an ongoing conversation between what is objectively happening and the deeply personal way we frame those experiences. Consciousness itself is a curator, selecting and interpreting information based on past experiences, social conditioning, and unconscious biases. We are not just passively experiencing reality; we are actively creating it, shaping our world through our beliefs, fears, and expectations. In this sense, reality is not a solid, unchangeable thing—it is fluid, influenced by perception, choice, and awareness.
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THE EXPERIENCE OF REALITY
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I have spent my life observing and questioning how we experience reality. Our senses provide us with information, but what we perceive is always filtered through the mind—our conditioning, trauma, desires, and memories all play a role in shaping what we believe to be real. This means that two people can witness the same event and interpret it in entirely different ways because their realities are constructed by their unique inner worlds.
I see reality as an ongoing conversation between what is objectively happening and the deeply personal way we frame those experiences. Consciousness itself is a curator, selecting and interpreting information based on past experiences, social conditioning, and unconscious biases. We are not just passively experiencing reality; we are actively creating it, shaping our world through our beliefs, fears, and expectations. In this sense, reality is not a solid, unchangeable thing—it is fluid, influenced by perception, choice, and awareness.​
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I CURATE THE REALITY
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Art gives us the opportunity to step outside of reality and view it from fresh perspectives. It allows us to pause, reflect, and examine not just what is visible, but what is felt, imagined, and hidden beneath the surface. Through art, I aim to expose the mechanics of perception and reveal how much of what we call reality is a construct—a projection shaped by our emotions, biases, and conditioning.
I guide the viewer to see reality differently—to step beyond the habitual ways of thinking and feeling and into a space where we can truly observe, reflect, and redefine the world we believe to be real.
Art is Fantasy
Fantasy, as I see it, is the extreme counterpart to reality. It exists beyond what is currently perceived, is tangible, and feels attainable. It's the space where imagination expands beyond the limits of our present experience, where we dream of worlds, ideas, and possibilities that break free from the constraints of logic, time, and physical existence.
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For me, fantasy is not just an escape; it is an exploration. It is a way of visualizing what could be—whether that means an idealized version of life, a supernatural vision, or a projection of deeply embedded desires and fears. Fantasy is woven into the human experience; we use it to make sense of what we lack, to inspire ourselves, to motivate, to dream, and sometimes, to control. It has been used in religion, mythology, and art throughout history to depict the extraordinary, to elevate the human condition beyond its mundane reality, and to create figures, places, and experiences that stretch the imagination beyond what is physically possible.
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THE EXPERIENCE OF FANTASY
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I believe fantasy enters our lives in countless ways—through imagination, through dreams, through stories and myths, through visual representations in art, film, and literature. We experience it in the contrast between what we have and what we desire, between where we are and where we wish to be. Fantasy is often an exaggerated version of reality, a vision of what is missing, an unattainable ideal, or a concept that exists outside the reach of human limitation.
Our minds naturally construct fantasies, whether we recognize them or not. Sometimes they emerge as aspirations—visions of wealth, beauty, success, or enlightenment. Other times, they exist as illusions—things promised but never delivered, ideals presented as attainable yet always out of reach. I see fantasy as a double-edged sword: it can be empowering, offering us a vision of what we can strive for, but it can also be manipulative, leading us to chase illusions that serve external forces rather than our true selves.
Fantasy has power. It can evoke emotions that reality cannot. It can stir longing, hope, desire, and wonder. But it is important to recognize that fantasy is not always innocent—it can be used to elevate or diminish, to empower or exploit.
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THE AWARENESS OF FANTASY
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Throughout history, fantasy has been used in art, religion, and propaganda to create ideals that shape behavior, to set standards that people strive toward, and to offer visions of salvation or grandeur that may never be fully realized.
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I believe it is crucial to see fantasy for what it is: a mirror of our deepest desires, fears, and cultural narratives. When I create, I bring fantasy into my work as a way to reveal something hidden—not to deceive, but to explore. Art allows us to step into a fantasy, to experience it momentarily, and to question its meaning. Is this something we truly seek? Or is it something we have been conditioned to believe we should want?
Fantasy is a tool. It can be used to inspire transformation, to help us imagine a reality beyond what we know. But it can also trap us in illusions, leading us further from ourselves.
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Fantasy is also deeply connected to our conditioning. We are taught what to fantasize about whether through culture, media, or societal structures. Some fantasies serve to inspire, while others are designed to keep people chasing something they may never truly reach. This is where the line blurs between fantasy as a tool for expansion and fantasy as a means of control.
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HOW I CURATE FANTASY
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In my art, I offer the experience of fantasy, but without the illusion of permanence. I reveal what lies beyond the surface and challenge the viewer to question: Is this truly what you seek, or is it simply what you’ve been conditioned to desire? My creations encourage you to explore the boundaries of reality and fantasy, blurring the lines between the two, and ultimately, inviting you to rethink what you truly yearn for.​​​
TO LEARN MORE ABOUT THIS UNIQUE ARTISTIC JOURNEY, CONTACT JAI SOL'S AGENT VIA EMAIL, OR ALTERNATIVELY, VISIT THE 101 CURATION WEBSITE TO BE PART OF HIS EXCLUSIVE CURATION EXPERIENCES.